2016, Year of the UFO

I'm very excited about the new year. In 2011 I finished 12 UFOs, one per month. They can be seen on the 2011 page of this blog. Now, five years later, it's time to do it again. This time I'll be working by myself, but I'll have my crochet friends on Instagram to show the finished products.

I chose 12 UFOs (out of many more, sad to say) and listed them in a spreadsheet. In another column, I added 12 random numbers using the rand() function. This function refreshes with new random numbers every time something changes. So I sort by the random number column, and the first quilt in the list is the one that I will finish in the next month. The sort changes the random numbers, so every time I sort, I will get a new order.

The first quilt that came up was my irregular pinwheel quilt. Amazingly, it was in a bin together with the right size backing and the right batting! A while ago I matched lots of batting and backing to many of my quilt tops. So it will be a breeze to finish.

At the same time I intend to keep working on my giant trip around the world and to have my Boston Commons quilt professionally quilted.

Raffle Quilt Blocks

After a long stretch of crocheting, I finally used my sewing machine again. In two days I have to turn in my raffle quilt blocks, so I had to actually make them. I had taken home three packets, but I wanted four so that I could make better use of the leftovers, so the blue-violet star is extra. I hope it works for the raffle quilt. The block is basically a nine-patch, with the star points being the sides and the center the same color as the star points. Little triangles are generated in the process of making the star points, and I used these to make two bonus blocks.

The colors didn't come out true in this picture, in spite of my efforts at post- processing. But these are the blocks, a very nice way to make LeMoyne stars without having eight points in the middle.

The first step is to mark a 2 1/4 inch colored square on the diagonal, place it on the corner of a 3 inch black square, sew along the diagonal, and trim away the triangles outside of the seam. I sew the triangles together before I cut them off to get little half-square triangles. Sixteen of them make this block. (The colors here are much closer to the actual colors.)

The next step is to mark another 2 1/4 inch colored square on the diagonal, place it on the left bottom corner of the square from step 1, then sew and trim as before. These little half-square triangles include a little corner of the first triangle. So I made pinwheel blocks with diamonds in the middle.

Paintbrush holder

This paintbrush holder was very easy to make. I bought this fabric in St. Thomas the year we went to Tortola with my mother-in-law and all her kids and grandkids. The ribbon is lovely, but it was only by chance that it was the one that most closely matched the colors in the fabric.

It's hard to see exactly what I did here, but I'll try to explain. I used a decorator-width fabric (54 inches rather than 42) about 25 inches wide. I folded it in half right sides together, lengthwise, selvage edges touching. I folded back the selvages about an inch and sewed the side seams. Then I turned it inside out, sort of like a pillowcase. Then I sewed the open end shut. That is what you see on the top. This was a unique piece of fabric. It was only printed up to a certain point. So it looks like it's lined. I made a similar small pocket for the little brushes, except for that I didn't fold the raw edges under. I just sewed it onto the big piece so that the raw edges are covered.
Then I folded up about nine inches to form the pockets, sewed up the sides, and sewed eight interior lines from the bottom to the opening to make nine compartments. I used my brushes as a guide. They were mostly 12 inches long. If I make another one of these, I'll take pictures and provide more detailed directions. I sewed the ribbon just through the middle of the ribbon to the right side only. When I roll up the holder, I fold the top down over the brushes and then roll it up starting from the left side where the smaller brushes are. When it is all rolled up, the ribbon is on the outside and I just tie it around. When I'm using the brushes, I fold the top back and tie the ribbon to the easel. The whole thing just hangs there with a little slant so that the brushes don't fall out, and I can pull out whatever size brush I need. For this to happen the ribbon has to be closer to the top than to the bottom.

Glacial progress

I've sewn together 50 sets of squares to make 25 sets of pairs and 7 sets of squares. So now I'm starting phase 2 where I sew together 32 sets of pairs and squares to make 16 sets of 2, 3, or 4 squares. Then these 16 will be sewn together to make 8 sets, then 4, etc. It's taken me forever but it will be so worth it when it's done. In the top left corner is one set of pairs already sewn together. It takes less time to sew these than it does the single squares, because I've already figured out the orientation and pulled off the stray threads. But the progress is still slow. Not quite like a glacier, but it's hard for me to work on something that takes so long to finish.

Haste Makes Waste

Having finished 12 squares with wavy edges, I now understand why the edges were wavy. I have to rework those 12 squares. I've reworked three (outsides only) and have now made one correctly from the start.

I don't know how I got it in my head that I should add six stitches to each side for every round of double crochet and four for every round of single crochet. It's more like four for a round of double and two for a round of single. I made a sample swatch with different stitches, measured, did the math, and figured out that all my edges were wavy and all my corners were sharp points because I was adding too many stitches.

In this picture, left to right and top to bottom, are cosmos, carrots, poppy and daisy. The first three have been reworked. I have total of nine more squares to rework. It doesn't take long. The problem was only with the outer rounds that I added on to the squares to make them bigger. The directions in the book (Granny Square Flowers) don't produce wavy results, but I wanted 6 1/2 inch squares, so I've had to extend most of them, and that's where I went wrong.

Yesterday's projects

Yarn basket from a gleefulthings pattern, using scraps of bulky yarn.

Start of cherry blossom granny square, from Granny Square Flowers by Margaret Hubert.

#MandalasForMarinke

I took a break from the botanical granny squares to make this mandala in memory of Marinke Slump. I found out about her tragic suicide while searching the internet for a Black-eyed Susan granny square pattern. There is a project to raise awareness of depression that will feature the colorful mandalas that she was known for. More information can be found here.